This year’s Tiny Room for Elephants exhibition at Cherry Street Pier cultivated the best works from artists and musicians around Philadelphia. This year’s premiere featured over 35+ projects total, including custom murals, handmade sculptures, and more, along with standout performances from Joshua Lang, Suzanne Sheer, Cheeky, and Eric Boss.

The Tiny Room for Elephants was curated by founders YaYa Horne and Damian Ward, who initially started TRFE as a creative experiment to provide local artists space to create and document. Since then, Tiny Room has evolved into a full-blown festival with artists creating custom, once-in-a-lifetime pieces over 30 days.

TRFE’s premiere kicked off at Cherry Street Pier from 6-10 PM last Thursday. It brought art enthusiasts and fans from all over the city to witness the incredible gallery showcase despite record-breaking heat.

Some of my personal favorites from this year’s exhibition include pieces from the following artists:

NOMAD

@nomad_face

YAMI

Dave Weeks

@dmweeks_

@_lotits_

In addition to the incredible artwork, Thursday’s premiere featured amazing performances from local artists Joshua Lang, Suzanne Sheer, Cheeky, and Eric Boss. Ranging in genres from classic hip-hop to soft, indie pop, attendees were able to experience the best that each musician had to offer.

TRFE provided an incredible experience for attendees by curating the most unique, inspiring art projects and live showcases under one roof. This is a must-see for anyone passionate about music, and art, or is looking to expand their creative tastes and support their local creators. We are looking forward to 2023!

Connect with Tiny Room For Elephants

Website

Instagram

Facebook

In the latter half of 2017, the Vancouver four-piece, The Belle Game pulled out a masterwork of a pure pop album. Following from their debut LP in 2013, that sophomore effort Fear/Nothing is easily their strongest and most consistent work after close to a decade in the business. After hearing from vocalist Andrea Lo a little more than a week ago on this latest tour in support of the album and what went into the recording, I was more than a little excited to finally see and hear what they could bring to the table live.

Photo by Ziggy Merritt

The opener, cheeky brought the first waves of excitement to the crowd, turning in a performance that showcased a brand of experimental pop in tune with the vibe The Belle Game would bring to the stage later that evening. Cheeky is the side project of local talent, Kaylee E. Sabatino whose sound appears to take bits of inspiration from Grimes and Purity Ring with more ambient space filling out the echoey vocals. Developing that inspiration, wherever it may have come from, into something unique and purposeful, Sabatino’s set, though occasionally thrown a wrench due to some technical difficulties, started the night strong.

Photo by Ziggy Merritt

A scant fifteen minutes passed before the headlining act elevated the evening. Taking a brief moment to look back at the album that ignited this recent leg of touring, the success of Fear/Nothing comes down to its authenticity. The Belle Game imbues their digitized and synthetic orchestrations with life. A lack of factory-like production yet with the same hi-fidelity standards made this latest album shine. As a result, the ensuing translation of that from studio to stage, and in such an intimate setting is something appropriately magical to behold.

As a disclaimer, I try not to overstate things when I review something live. Stating the facts of the evening with a bit of zazz thrown in is typically my jam, but standing not much more than a foot away from the stage while Lo belts out vocal acrobatics on tracks like “Spirit” and “Yuh” is one of the more inspiring things to happen to me so far in this brave, new,  and occasionally terrifying world of 2018.

Photo by Ziggy Merritt

Much of that came down to the infectious enthusiasm Lo and the rest of the band projected through their set. Lo urged the crowd to get closer, to leave their worries at the door, to disconnect, and just enjoy the fucking show. Musical Catharsis is how she described the sound that was brought forth in the sessions that brought us Fear/Nothing. Taking that at its most literal, if there ever was an objective set out by the band other than to just play a rad show, it would likely be to share a healing and almost spiritual connection with their audience.