Written by Killian O’Neil

Photographed by Bryce Hall

Could you ever imagine standing in a sea of people with rain pelting down your face and all your clothes sopping wet? Mentally, at this point, you’re starting to not only feel but resemble a wet dog. If someone told me I would experience that one day, I would say, “fuck that,” and walk away. However, that is exactly how my Monday night was spent. I had the pleasure of seeing The Used play a co-headlining tour with Pierce the Veil and Don Brocco, it wasn’t my traditional way to kick off a work week, but I dug it. 

The night was already off to a crazy start before I arrived at The Stone Pony in Asbury Park, New Jersey. Mother nature had a mind of her own that evening. The weather was calling for some gnarly storms, the type of storms that postpone shows. Truthfully, I thought they were going to cancel the concert, but it was a Rain or Shine event. When I finally got to the venue, the line for entry was wrapped around the building not once but twice. As I was walking up to the Stone Pony, a wave of 2006 nostalgia washed over me. A crowd of fishnets and studded belts was everywhere alongside a sea of black. The crowd was an even 50/50 split for fans of The Used and Pierce the Veil, and it was abundantly clear who was a fan of what. I knew that the night would be memorable for two essential factors: the first was a sold-out show, and the second was that the weather was already calling for torrential downpours, thunder, and lightning. The only ones crazy enough to stand in that climate are the die-hard fans. The air was cool and balmy, reminding me how it felt before a giant summer rainstorm. The fog was rolling in, in every direction, and it had been overcast the entire day; you could not spot the Sun anywhere in the sky. The only thing that was important was getting in and securing a solid spot in the crowd with a good view. 

Upon entering the Summer Stage, it gave the feeling of the warped tour with the metal barricades, makeshift merch tents, and black asphalt. The only thing I was concerned with was what was the best place to stand with the incoming weather. Once my spot was secure, it took little to no time for the evening to commence. First, before anything, the venue had to address the crowd with a PSA about the weather. Staff came on the Mic and gave us directions on what to do in case an evacuation occurred, how dangerous the night could potentially be, and how to be safe. After all, this makeshift outside the venue was just a bunch of metal barricades and electronics.

Don Brocco was the first band that jumped on stage around 6:15 to start the night. Personally, I have never been so entranced by an opener in my life. All you need to know is that a British man with a curly mullet and the rest of his band knows how to get down and shred. They’re a four-piece rock band out of the UK and form like seasoned Veteriny Vets. Rob, the lead singer’s vocal registry is unlike any I have ever heard in a long time; I don’t think there’s a note he couldn’t hit. I can tell you this; Don Brocco has that extra shot of star power. This isn’t the last time we will be hearing about them in the US. Once they exited the stage, there was about a 25-minute grace period until the next band came on, which typically would have been the band, girlfriends, but due to the weather, they could not play. To my surprise, Pierce the Veil came on shortly after and played. Right before they came out, the heavens opened up and decided we all needed a bath. The rain was so heavy that I couldn’t see without squinting, and my new hoodie (now being worn) was getting rung out every few minutes because of how Saturated it was with rainwater. As soon as PTV wrapped their set, their fans exited the lot, which meant it was about time for The Used. 

We were cold, we were soaking wet, and we were ready for The Used to finish out the night with a bang. The smoke went off, and the strobes started; the stage covered in pink roses and out appeared a wild Bert Mccracken center stage. Suddenly, the Intro to “Take it Away” started emulating from the speakers. Everyone erupted in unison when they heard Bert sing the first note. The crowd was singing at the top of their lungs; remember, it was still raining as the concert continued. At least now The Used was playing, so it made the rain disappear and being wet more tolerable. Bert was without shoes and roaring to talk about how it was “squishy” under his feet on stage. He also told us that he wanted to have “Unprotected sex with each and every one of us,” and that made everyone need to change their panties. Their set list for the evening consisted of all fan favorites, “The Bird and the Worm,” “I Caught Fire,” “The Taste of Ink,” “I’m A Fake,” “Pretty Handsome Adventures,” and “Box Full of Sharp Objects.” In addition, they also played two of their new songs, “Give Up and Fuck You, “which the crowd seemed to know every lyric to as well. My favorite part of the night was Bert brought up Rob Damiani from Don Brocco to do “A Box Full of Sharp Objects” with him. Bert and Rob together on stage is something that I hope to see again. They have great chemistry and complement each other very well. Rob’s screaming blends in with Bert’s singing so perfectly that you can hardly tell it’s two people doing a duet. They closed the show strong with “Pretty Handsome Awkward,” and a circle pit formed in the crowd.

There were a few hiccups during the night with the weather, but that’s what made Monday night so much fun, the unexpected. I couldn’t tell you another band I willingly would stand outside in teaming rain for, but I would do it again in a heartbeat. The Used always brings love and authentic energy to every show they play, and they can see it on stage. Tonight was yet again another one for the books.

The Used

Website丨Facebook 丨Instagram 丨YouTube 丨Spotify丨Apple Music

Don Brocco

Website丨Facebook 丨Instagram 丨YouTube 丨Spotify丨Apple Music

Pierce the Veil

Website丨Facebook 丨Instagram 丨YouTube 丨Spotify丨Apple Music

According to Google, the definition of Toxic Positivity is “the pressure to only display positive emotions, suppressing any negative emotions, feelings, reactions or experiences. ” That term has become a social norm in our society today; it’s absolutely sickening. Humans have been conditioned to ignore the truth of our feelings and pretend everything is okay to keep the status quo. So it is no surprise that The Used and John Feldman teamed together once again to produce an album and claimed to have fallen into it Toxic Positivity. 

With Feldman and The Used in the same studio together again, the only certain thing is that the Magic will be made. Feldman has produced a handful of their albums, ranging from their self-debut album The Used in 2001 to their most recent release in 2020 called Heartwork. He is the Peanut butter to the band’s jelly and has been for over the last 23 years. They have worked hand in hand and produced hits like “The Bird and the Worm,” “I Caught Fire,” “Take it Away,” and many more. The Synergy between them is like no other I have ever encountered. Feldman is an essential keystone in the success and career of The Used, and how they create is so fluid and utterly Sympatico.

If you know anything about The Used, you know they like to push boundaries and speak their truth no matter how harsh it may come out or whom it may piss off. The band has used their career to express their most vulnerable moments and intimate Traumas they have been through and transmute them into a work of artistry. It reminds the rest of the world and their fans that nobody is alone. Toxic Positivity is no exception to this formula that the boys have used for the last 23 years with how they write music. This album showcases Frontman Bert Mccracken‘s “most sincere words he has ever written,” focusing on mental health and well-being over the last few years. On the coattails of the pandemic, Toxic Positivity claims to act as an outlet for The Used and express all of the struggles that have internally been going on for the last three years, which is a direct result of living in this weird hell that has become a life in a Pandemonium era. 

This album keeps the integrity of everything that makes a Used album great. It plays as if someone took a bite of the sound from each album, remixed it, and decided to call it Toxic Positivity. The 11-track album pulls you in immediately; the first track, “Worst I’ve Ever Been,” kicks off with the old sounds of heavy drums and guitar. Bert even returned to his roots of screaming for a portion of this song. My two favorite songs off this album are “Pinky Swear” and “Top of the World,” which couldn’t be more opposite. If you’re looking for that OG sound from The Used, look no further; the song is filled with heavy riffs, drums, and tons of screaming. Part of the chorus is “Save me, I need to know what it feels like before I fade away, “it almost sounds like it could belong on their second album, Maybe Memories, with how it all flows together. The second song that was a pleasant surprise for me was “Top of the World,” As an avid listener; I was initially unsure. It starts with their signature drum sound and transitions into a light pop esq. I don’t know if it was the lyrics or just how catchy the hook is, but I can’t stop playing the song. Toxic Positivity is an album that directly explains the aftershock of Covid-19 and what they went through. In this deeply personal album, The Used shines a beacon of light with their raw gut-punching lyrics that you are, in fact, not alone in this vast universe. I highly suggest you take it for a spin.

The Used

Website丨Facebook 丨Instagram 丨YouTube 丨Spotify丨Apple Music 

After delivering twenty years of high-energy, in-your-face live shows and hardcore albums, The Used are ready to share something special with their fans. Today, The Used debut their interactive, pop-up shop. With this shop, fans will be able to visit the 3-D shop, and purchase various limited-edition merch, while also searching for special Easter eggs hidden by each member of the band.

The Used partnered with Brickworks for this unique shopping experience.

“We are excited to announce the grand opening of The Used virtual store, a whole new way to check out and shop for Used merch. Come join us for a slice of virtual pizza and fun surprises,” shares bassist Jepha on this limited run event.

Fans can visit The Used’s pop-up store for a limited time here: https://heartwork.theused.net/pages/pop-up-2020

The Used most recently released their latest album, Heartwork, via Big Noise. The album had a strong first week of sales locking in #2 spots on both the Current Alternative and Record Label Independent Album charts. They were also at #3 on the Current Rock and Top Current Album charts, in addition to landing on the Billboard Top 200 at #87.

The Used is Bert McCracken (vocals), Jepha (bass), Dan Whitesides (drums), and Joey Bradford (guitar).

Connect with The Used

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Anyone who’s a music lover is always searching for that next album; the record you can play on over and over and never get sick of. Heartwork is exactly that.

The Used has made a masterpiece of their eighth full-length studio album with longtime friend and producer, John Feldmann. Feldmann signed The Used to Reprise Records back in 2002 and is responsible for producing their self-titled album as well as Maybe Memories, In Love and Death, and many more. Feldmann and The Used have a chemistry that is undeniable. Anyone who has been a huge Used fan from day one (like I admittedly have) will love the synergy between the dynamic team that is showcased within.

While listening to the record it’s a collection of rock, grunge, pop, heavy breakdowns (that honestly, we have all missed) and so much more. For all the “hard-core Used fans” reading this, you sure are in for a treat…

Heartwork is pure alchemy. From the very start, with “Paradise Lost, a Poem by John Milton” you can hear the old sound of The Used, and as the tracks roll on, you almost start to question which album of theirs you are listening to.

Let’s not forget a few guest artists make appearances as well. Travis Barker from Blink-182 to Jason Allen Butler from Fever 333 just to name a few. The haunting themes of love, addiction, depression, and politics are threaded together throughout the entire album. There isn’t a song that’s not relatable on some platform nor are any songs alike.

This record has heavy flavors of In Love And Death and Lies For The Liars between the vulnerability, pop-esque, and breakdowns. Something I noticed while listening to Heartwork is that it brought me back to the sound they had in the early 2000s but with a splash of 2020 character. One of the many things that set The Used apart from other bands in their genre is that they stayed relevant after 20 years, remain true to who they are as artists, but they don’t give a fuck about what is “popular” or what will “sell.”

The Used touches on real issues thematically and are not timid to speak their truth, which can be a very rare thing to find in this world. They’re a once-in-a-lifetime band that continues to deliver the real and raw emotions of what is going on in the world around them without hesitation.

It’s been a very long time since I’ve come across a song that actually moves me to tears and that’s exactly what the closing track, “To Feel Something” did for me. 2019 was a very rocky and life-changing year for me (and I think for many of us) so when I heard “To Feel Something” it hit me hard and I was able to relate to every lyric.

Isn’t that what music is about? Hearing a song for the first time and instantly connecting to it. Sometimes that is all you need to make it through the day. The Used raised the bar for themselves and I can’t wait to see what they put out next with how elegantly they created Heartwork.

Connect with The Used

Website | Facebook | Instagram | Twitter | YouTube | Spotify |

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By Jordyn Lyric

Last night, Radio 104.5 welcomed emo legends, The Used, to a sold out show at The TLA along side their tour mates Dragged Under, which features former members of Rest, Repose.  Dragged Under played a great opening set which had concert goers to their feet.

The Used took the stage and played a collection of hits, deeper cuts, and new music from their upcoming release Heartwork. Since their debut in the early 2000’s, they’ve been a staple for fans of the genre, and time and time again, they make it clear that they’ll stay that way, yet exploring new sounds all the while.

On April 24, Heartwork will be released, which is currently available for pre-sale and pre-save. In the meantime, their newest single “Paradise Lost: a poem by John Milton” is available for streaming now.